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I’ve wanted to do this for aaaaagges. When I was talking to droid about what sort of blogariddims I wanted to do next, I had a bunch of ideas in mind, including:
* a techno-y dubstep thing (this is forthcoming!)
* a jungle one (also forthcoming - part three of the 94-era jungle series, this one will be amentastic!)
* a vocal pop one (weird I know)
* some kind of electro one… didn’t really have the material for it…
* some weird slow halfstep thing entirely made of refixes (which might happen if there’s not much work this year!)
* another reggae one (at least two of which are forthcoming - a dancehall hits thing based on the set I did at solstice last year at C90’s bash with Maga Bo and Heatwave) and a slightly deeper ragga hits thing
But in the end there was no doubt in my mind that I wanted to do one on what is for me the best music ever made that’s not overtly reggae (instead this is covertly reggae and all the better for it) - namely 2step UK Garage. This is simply the most exquisite. funky, deep, transcendental music ever, the surface obsession with bling and coke concealing a vast underworld of chthonic musical figures and traces that dazzle and seduce like no other music I know. Jungle, r’n'b, house and reggae meld into an intoxicating sweet yet dark confection that is both instantaneously satisfying and compellingly more-ish. No, Reynolds fans (of whom I am proud to number myself), I’m not talking about 2step’s association with the endlessly reflexive arousing and denying high of cocaine. I am talking about the experiential vigour of the music. For this is not another example of Great British Drug Noise - though it functions perfectly at that level. Rather, 2step is both late night ganja smoking bassline vibronics, and great music to do the washing up to. Late night hedonic indulgence music, and an extraordinarily effective antidote to the boredom of long car journeys. Mates music and girlfriend music. I love it, I can’t get enough of it, and I am delighted that the core of the dubstep movement is reverently keep its flame alive. And that Grime almost perfectly turned 2step inside out, remaining defiantly true to its swinging rhythmic even as it inverted it.
This is the second big 2step mix I’ve done. I did Abtract 2step, on CD, in 2000 IIRC, which had loads of top notch dubby and ragga-touched 2step from the big boys of the time such as Dem2. Groove Chronicles, El B, Wideboys. People seemed to like it. Most of those records have been in storage for the last four years, but in 2007 I bought up quite a lot of old garage. Much of the old skool 4×4 stuff went on to what was for me an exhilirating mix to do, the 4×4 Heaven mix that came out a few weeks back. I’ve got a load of mental Narrows style early 2009s new school 4×4 which is probably better than most of the bassline around at the moment, though it’s really a different thing. I fancy having a go at that at some point, probably in combination with some really girly soft garage.
But the real focus was on 2step - preferably dark, but not unremittingly so, and not too breaky, though it had to be awesomely funky to make the cut. There were some fantastic tunes that didn’t make the cut. Over a couple of weeks, I went through a series of mixes, discarding each version as I went, before finally editing together the mix from three late versions. None of the actual mixing on this podcast is digital - it’s all vinyl, decks and mixer, no Ableton on this one - though it’s made from four takes. It’s pretty close to what I really wanted to do with this mix - just a touch too dense and twisted early on. And there’s a couple of imperfections in the mixing, but that’s just vinyl for you. But overall, I like this a lot, cos most of the tunes aren’t too familiar, and the good bits are just fucking mental. I hope you like it.



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